HOW MUSIC CHANGED, PART 8c - NEW ORLEANS JAZZ

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Today we conclude our series on early Kings of New Orleans Jazz by looking at a few remaining classics that we haven’t yet discussed. This show allows to focus a bit more on King Oliver’s work, while also addressing other pivotal artists such as Jimmie Noone, Omer Simeon, Tommy Ladnier, Wingy Manone, and Henry Allen. For the most part, we have been sticking to a chronological timeline, so if you’ve been attentive, you may notice a greater emphasis on individualism throughout today’s show, especially when compared to the two previous episodes. This exemplifies the development of Jazz music towards a form of individualistic expression, and away from the ensemble style of playing. Here’s a list of songs featured in today’s program;
1) That’s a Plenty – The New Orleans Owls
2) Wolverine Blues – Jelly Roll Morton, with Johnny and Baby Dodds
3) Apex Blues – Jimmie Noone’s Apex Club Orchestra
4) Smokehouse Blues – Omer Simeon
5) High Society – Monk Hazel Bienville Orchestra
6) Panama – Luis Russel Orchestra
7) Tar Paper Stomp – Barbecue Joe and his Hot Dogs
8) I’ve Found a New Baby – The New Orleans Feetwarmers
9) Chimes Blues – King Oliver’s Creole Jazz Band
10) Canal Street Blues - King Oliver's Creole Jazz Band