<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss'><id>tag:blogger.com,1999:blog-13550639</id><updated>2010-03-10T15:56:53.178-08:00</updated><title type='text'>Shaddup and Listen</title><subtitle type='html'>Shaddup and Listen is part of the &lt;a href="http://americanhitnetwork.com"&gt;American Hit Network&lt;/a&gt;.</subtitle><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default?start-index=26&amp;max-results=25'/><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://shaddupandlisten.com/atom.xml'/><author><name>Geoffrey Mack</name><uri>http://www.blogger.com/profile/11928379463688917546</uri><email>noreply@blogger.com</email></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>379</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-13550639.post-1739647161340937284</id><published>2010-03-10T15:54:00.000-08:00</published><updated>2010-03-10T15:56:53.186-08:00</updated><title type='text'>Low Rollers, Last Hombres and Other Characters – An Interview with Paul Schmitz</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:11.0pt;font-family:LucidaGrande"&gt;&lt;a href="http://www.shaddupandlisten.com/music/100310.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;p class="MsoNormal" align="center" style="text-align: left;"&gt;&lt;!--StartFragment--&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="text-indent:.5in"&gt;Few musicians have the resume of Paul Schmitz; singer songwriter, bandleader with two successful bands, including a stint that boasted legend Levon Helm on drums. Back when Tower Records still existed (!!), I remember seeing the album cover for Paul’s band the Last Hombres in the shop window for months, and it intrigued me enough to buy a copy. That album was full of great songwriting and intelligent arrangements, and his new project, called the Low Rollers, is the logical extension of that project.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Today, we interview Paul about his development in the local and national music scene, his influences, etc. Best of all, we play a few of his tunes. Hope you enjoy the show. You can contact Paul and obtain his music by following this link - http://www.myspace.com/nud99&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-1739647161340937284?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/1739647161340937284/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=1739647161340937284&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/1739647161340937284'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/1739647161340937284'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2010/03/low-rollers-last-hombres-and-other.html' title='Low Rollers, Last Hombres and Other Characters – An Interview with Paul Schmitz'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-2891312750791969020</id><published>2010-03-05T15:47:00.000-08:00</published><updated>2010-03-06T09:26:50.262-08:00</updated><title type='text'>HOW MUSIC CHANGED, PART 13-17 – THE LEGACY OF LOUIS ARMSTRONG, part 17</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span"  style="font-family:LucidaGrande, serif;"&gt;&lt;span class="Apple-style-span"  style="font-size:large;"&gt; &lt;!--StartFragment--&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"  style="font-family:LucidaGrande, serif;"&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span" style="font-size: -webkit-xxx-large;"&gt; &lt;!--StartFragment--&gt;  &lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:11.0pt;font-family:LucidaGrande"&gt;&lt;a href="http://www.shaddupandlisten.com/music/100305.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;p&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;In the mid-fifties, Louis Armstrong was fighting for relevance with the music cognoscenti, and ultimately, he won. At first, it looked like Louis may become a footnote during the 1950s, but by 1955, he released one of the decade’s most essential LP albums, and even coaxed a hit single out of a dark German Music Hall number. Time tried to march on without Louis, but he simply did not let it happen that way.&lt;/p&gt;&lt;/span&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Songs from today’s show include:&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Otchi-Tchor-Ni-Ya&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;The Dummy Song&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;The Whippenpoof Song (or ‘The Boppenpoof Song’)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;The Gypsy&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5) St. Louis Blues&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Beale Street Blues&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Honeysuckle Rose&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Mack the Knife&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;9)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Tin Roof Blues&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-2891312750791969020?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/2891312750791969020/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=2891312750791969020&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/2891312750791969020'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/2891312750791969020'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2010/03/how-music-changed-part-13-17-legacy-of.html' title='HOW MUSIC CHANGED, PART 13-17 – THE LEGACY OF LOUIS ARMSTRONG, part 17'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-6589482480361950079</id><published>2010-02-26T16:36:00.000-08:00</published><updated>2010-02-26T16:37:34.285-08:00</updated><title type='text'>HOW MUSIC CHANGED, PART 13-16 – THE LEGACY OF LOUIS ARMSTRONG, part 16</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:11.0pt;font-family:LucidaGrande"&gt;&lt;a href="http://www.shaddupandlisten.com/music/100226.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;p class="MsoNormal"&gt;Today’s show covers Louis in the early 1950s, a time when progressive had turned its back on him. Rather than turning himself inside out trying to conform to the bebopper’s ideas, he decided to stay true to himself. His lip had already endured nearly forty years of abuse, so it was time for Louis to relax. From this point forward, Louis is simultaneously a pop artist and a living legend.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Songs covered today include:&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;That Lucky Old Sun&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;I Surrender Dear&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;La Vie En Rose&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;My Sweet Hunk o’ Trash (with Billie Holiday)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;(I’ll Be Glad When You’re Dead) You Rascal You (with Louis Jordan)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Dream a Little Dream of Me (with Ella Fitzgerald)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Gone Fishin’ (with Bing Crosby)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;A Kiss to Build a Dream On&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;9)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Your Cheatin’ Heart&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;10)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;When It’s Sleepy Time Down South&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-6589482480361950079?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/6589482480361950079/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=6589482480361950079&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/6589482480361950079'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/6589482480361950079'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2010/02/how-music-changed-part-13-16-legacy-of_26.html' title='HOW MUSIC CHANGED, PART 13-16 – THE LEGACY OF LOUIS ARMSTRONG, part 16'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-4991593158186726256</id><published>2010-02-24T15:52:00.000-08:00</published><updated>2010-02-24T15:53:59.010-08:00</updated><title type='text'>A Few More Album Tracks from February 1970</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:11.0pt;font-family:LucidaGrande"&gt;&lt;a href="http://www.shaddupandlisten.com/music/100224.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;p class="MsoNormal"&gt;The 1970’s were the ‘decade of the album’, for sure. The ‘50s and ‘60s revolved mostly around the single, and the ‘80s and ‘90s kicked off the transition to digital music, the 1970s squarely belonged to the 12” vinyl platter. Because of this, we usually need extra shows to cover album tracks from this era, thus our second show dedicated to albums from Early 1970.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Today’s show includes;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Come and Get It – Badfinger (“Magic Christian Music”)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Crimson Ship - &lt;span style="mso-tab-count:1"&gt;      &lt;/span&gt;“&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;That’s the Way Love Is – Marvin Gaye (“That’s the Way Love Is”)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Questions 67 and 68 – Chicago Transit Authority&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Funky Miracle – The Meters (“Look-Ka Py Py”)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Look-Ka Py Py -&lt;span style="mso-tab-count:1"&gt;      &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;      &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;      &lt;/span&gt;“&lt;span style="mso-tab-count:1"&gt;      &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Yeah, You’re Right –&lt;span style="mso-tab-count:1"&gt;      &lt;/span&gt;“&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;Lick My Decals Off, Baby – Captain Beefheart and the Magic Band&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;9)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;The Smithsonian Institute Blues - &lt;span style="mso-tab-count:1"&gt;      &lt;/span&gt;“&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;10)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;Here I Go – Syd Barrett (“The Madcap Laughs”)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;11)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;Love You -&lt;span style="mso-tab-count:1"&gt;      &lt;/span&gt;“&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;12)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;If It’s In You -&lt;span style="mso-tab-count:1"&gt;      &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;      &lt;/span&gt;“&lt;/p&gt;  &lt;span style="font-size:12.0pt;font-family:&amp;quot;Times New Roman&amp;quot;;mso-ansi-language:EN-US;mso-fareast-language:EN-US"&gt;&lt;span style="mso-spacerun:yes"&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt; &lt;/span&gt;13) &lt;/span&gt;Dark Globe -&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;&lt;/span&gt;&lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-4991593158186726256?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/4991593158186726256/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=4991593158186726256&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/4991593158186726256'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/4991593158186726256'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2010/02/few-more-album-tracks-from-february.html' title='A Few More Album Tracks from February 1970'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-8322799181955836524</id><published>2010-02-19T15:58:00.000-08:00</published><updated>2010-02-19T15:59:19.549-08:00</updated><title type='text'>HOW MUSIC CHANGED, PART 13-15 – THE LEGACY OF LOUIS ARMSTRONG, part 15</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:11.0pt;font-family:LucidaGrande"&gt;&lt;a href="http://www.shaddupandlisten.com/music/100219.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt; &lt;!--StartFragment--&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;p class="MsoNormal"&gt;The post-war years were when Louis Armstrong reached his highest level of acceptance with the general populace. Unfortunately, the price of mass acceptance had a cost, and Louis’ entrance into the mainstream meant that he was no longer in the vanguard. The ‘Young Turks’ were now playing a form of music called ‘be-bop’, and Louis’ brand of swing/jazz was deemed ‘old-fashioned’ by the younger breed of players. At this point, Louis was in his late forties, so the transition was only natural. He had been a de facto leader of musical development for over twenty years, but now he was preparing to settle into the role of elder statesman, while continuing to make some truly wonderful music. Songs from today’s show include;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Marie (with the Mills Brothers)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Ain’t It the Truth&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;You Won’t Be Satisfied (Until You Break My Heart)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Do You Know What It Means to Miss New Orleans&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Where the Blues Were Born in New Orleans&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Rockin’ Chair&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Snafu&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Fifty-Fifty Blues&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;9)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Before Long&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;10)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;Blueberry Hill&lt;/p&gt;  &lt;p class="MsoNormal"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-8322799181955836524?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/8322799181955836524/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=8322799181955836524&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/8322799181955836524'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/8322799181955836524'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2010/02/how-music-changed-part-13-15-legacy-of.html' title='HOW MUSIC CHANGED, PART 13-15 – THE LEGACY OF LOUIS ARMSTRONG, part 15'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-3620413670303844768</id><published>2010-02-12T18:29:00.000-08:00</published><updated>2010-02-12T18:31:04.475-08:00</updated><title type='text'>HOW MUSIC CHANGED, PART 13-14 – THE LEGACY OF LOUIS ARMSTRONG</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:11.0pt;font-family:LucidaGrande"&gt;&lt;a href="http://www.shaddupandlisten.com/music/100212.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt; &lt;!--StartFragment--&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;p class="MsoNormal"&gt;Today’s show covers Louis Armstrong’s career during the War Years, so by necessity, recorded evidence –from a recording studio – is slim. The war itself provided plenty of distractions, but the era coincided with a strike by the AF of M, which promptly put about 8,000 musicians out of work. As usual, it had its share of personal turbulence as well, seeing Louis divorce his third wife, while settling in with his fourth (and final) wife, Lucille. At this point in time, manager Joe Glaser decided to present Louis as a novelty act more than as an innovator. A lesser artist would have crumpled, but Louis had personality to spare, and he brought life to even the most mundane material.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Songs from today’s show include;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;W.P.A. (with the Mills Brothers)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;You Run Your Mouth, I’ll Run My Business&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Cut Off My Legs and Call Me Shorty&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Down n Honky Tonk Town&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Ev’rything’s Been Done Before&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;I’ll Get Mine Bye and Bye&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;When It’s Sleepy Time Down South&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Jack – Armstrong Blues&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;9)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;I Wonder&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-3620413670303844768?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/3620413670303844768/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=3620413670303844768&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/3620413670303844768'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/3620413670303844768'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2010/02/how-music-changed-part-13-14-legacy-of.html' title='HOW MUSIC CHANGED, PART 13-14 – THE LEGACY OF LOUIS ARMSTRONG'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-5301578354682616697</id><published>2010-02-05T16:04:00.000-08:00</published><updated>2010-02-05T16:08:36.592-08:00</updated><title type='text'>HOW MUSIC CHANGED, PART 13-13 – THE LEGACY OF LOUIS ARMSTRONG</title><content type='html'>&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span" style="font-family: LucidaGrande, serif; font-size: large; "&gt;&lt;span class="Apple-style-span" style="font-size: 15px; "&gt;&lt;a href="http://www.shaddupandlisten.com/music/100205.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span" style="font-family: LucidaGrande, serif; font-size: large; "&gt;&lt;span class="Apple-style-span" style="font-size: 15px; "&gt;&lt;/span&gt;Part 13 in our Louis Armstrong series covers the pre-war era of 1938-1941. If you have any doubt at all that Louis was able to maintain his artistry this far into his career, we hope to dispel it entirely with the songs covered in today’s show, including;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Jubilee&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;I Double Dare You&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;When the Saints Go Marching In&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Shadrack&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;I Can’t Give You Anything But Love&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Elder Eatmore’s Sermon on Generosity&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Elder Eatmore’s Sermon on Generosity (Bert Williams)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;What Is This Thing Called Swing?&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;9)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;You’ve Got Me Voodoo’d&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;10)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;Harlem Stomp&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;11)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;Wolverine Blues&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-5301578354682616697?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/5301578354682616697/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=5301578354682616697&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/5301578354682616697'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/5301578354682616697'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2010/02/how-music-changed-part-13-13-legacy-of.html' title='HOW MUSIC CHANGED, PART 13-13 – THE LEGACY OF LOUIS ARMSTRONG'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-9211964351931292511</id><published>2010-02-03T16:04:00.000-08:00</published><updated>2010-02-03T16:06:33.126-08:00</updated><title type='text'>A FEW SINGLES FROM EARLY 1970</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:11.0pt;font-family:LucidaGrande"&gt;&lt;a href="http://www.shaddupandlisten.com/music/100203.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt; &lt;!--StartFragment--&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;p class="MsoNormal" align="center" style="text-align:center"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;This is OUR first show of the new decade dedicated to music from exactly 40 years ago, one of our favorite musical eras, the ‘60s. No, I’m not going insane. The way we see it at American Hit Radio, the ‘60s – as we have come to know them – began in January 1964 with the arrival of the Beatles, and lingered until some time in 1972, when a cultural shift ultimately moved away from the ideals of the ‘60s. I think the music will prove out this theory adequately enough, so here are the songs featured in today’s show;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Thank You (Falettinme Be Mice Elf Agin) – Sly &amp;amp; the Family Stone&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Everybody Is a Star- Sly &amp;amp; the Family Stone&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Rainy Night in Georgia – Brook Benton&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;The Thrill Is Gone – B.B.King&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Bridge Over Troubled Water- Simon &amp;amp; Garfunkel&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Travelin’ Band – CCR&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Who’ll Stop the Rain – CCR&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;He Ain’t Heavy, He’s My Brother - The Hollies&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;9)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Call Me – Aretha Franklin&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;10)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;Leaving On a Jet Plane – Peter, Paul &amp;amp; Mary&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;11)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;Raindrops Keep Fallin’ on My Head – B.J. Thomas&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px; "&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-9211964351931292511?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/9211964351931292511/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=9211964351931292511&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/9211964351931292511'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/9211964351931292511'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2010/02/few-singles-from-early-1970.html' title='A FEW SINGLES FROM EARLY 1970'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-4129373417007234645</id><published>2010-01-29T16:17:00.000-08:00</published><updated>2010-01-29T16:18:14.120-08:00</updated><title type='text'>HOW MUSIC CHANGED, PART 13-12 – THE LEGACY OF LOUIS ARMSTRONG</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:11.0pt;font-family:LucidaGrande"&gt;&lt;a href="http://www.shaddupandlisten.com/music/100129.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt; &lt;!--StartFragment--&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;p class="MsoNormal"&gt;By 1937, Louis Armstrong’s career began to change significantly. His new manager, Joe Glaser, had begun to implement a number of maneuvers to increase Louis’ exposure, and in the process, his income. It was a long time coming, and it was wonderful for Louis to finally have some pocket money (he was only the most artistically important musician in the world at this time!), but the effect this had on his artistry (or his personal integrity) was much more ambiguous. Movies and radio were the two mediums that Glaser pursued, with mixed results. Today’s show focuses on those results.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Here are songs featured in today’s program;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;The Skeleton in the Closet&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Public Melody Number One&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;On a Little Bamboo Bridge&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Sun Showers&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;On the Sunny Side of the Street&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;“Harlem” Radio Broadcast -&lt;span style="mso-tab-count:1"&gt;      &lt;/span&gt;a)Program Intro&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:3.0in"&gt;b) I’ve Got a Heart Full of Rhythm&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:3.0in"&gt;c) After You’ve Gone&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:3.0in"&gt;d) Pennies from Heaven&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:3.0in"&gt;e) That’s What I Like&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:3.0in"&gt;f) Darling Nellie Gray&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:3.0in"&gt;g) Washington and Lee Swing&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:3.0in"&gt;h) Fleischmann’s Yeast Commercial&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:3.0in"&gt;i) Sign-Off Station ID&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-4129373417007234645?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/4129373417007234645/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=4129373417007234645&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/4129373417007234645'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/4129373417007234645'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2010/01/how-music-changed-part-13-12-legacy-of.html' title='HOW MUSIC CHANGED, PART 13-12 – THE LEGACY OF LOUIS ARMSTRONG'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-6646108603430882537</id><published>2010-01-27T15:51:00.000-08:00</published><updated>2010-01-27T15:52:27.698-08:00</updated><title type='text'>A FEW TRACKS FROM JANUARY 1960</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:11.0pt;font-family:LucidaGrande"&gt;&lt;a href="http://www.shaddupandlisten.com/music/100127.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt; &lt;!--StartFragment--&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;p class="MsoNormal" align="center" style="text-align:center"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;It’s been a while since the new decade has rolled around, and we’ve spent so much time reviewing some of our favorite stuff from 2009 that we have yet to do a typical ‘anniversary’ show. So then, let’s get back on track by tripping back 50 years to January 1960. All songs from today’s show are now officially 50 years old – hard to believe in some cases, and no surprise in others.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Here, then, are songs covered in today’s program;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Let It Be Me – The Everly Brothers&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Beyond the Sea – Bobby Darin&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Where Or When – Dion &amp;amp; the Belmonts&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Theme from “A Summer Place” – Percy Faith &amp;amp; His Orchestra&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Teen Angel – Mark Dinning&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Silver Dagger – Joan Baez&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Wildwood Flower – Joan Baez&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Bye Bye Johnny – Chuck Berry&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;9)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Down the Road Apiece – Chuck Berry&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;10)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;Let It Rock – Chuck Berry&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;11)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;It’s So Sad (To Watch Good Love Go Bad) – The Everly Brothers&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;12)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;Nashville Blues – The Everly Brothers&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;13)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;What About Us – The Coasters&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-6646108603430882537?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/6646108603430882537/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=6646108603430882537&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/6646108603430882537'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/6646108603430882537'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2010/01/few-tracks-from-january-1960.html' title='A FEW TRACKS FROM JANUARY 1960'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-8046332425449649594</id><published>2010-01-22T16:13:00.000-08:00</published><updated>2010-01-22T16:33:13.127-08:00</updated><title type='text'>HOW MUSIC CHANGED, PART 13-11 – THE LEGACY OF LOUIS ARMSTRONG</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;p class="MsoNormal" style="text-indent:.5in"&gt;&lt;br /&gt;&lt;!--StartFragment--&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:11.0pt;font-family:LucidaGrande"&gt;&lt;a href="http://www.shaddupandlisten.com/music/100122.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;   Our story picks up in 1935, as Louis completes an n extended working vacation in Europe. He returns to America only to find that his personal business is in a shambles, particularly as his management is concerned.&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;Louis attempts to pick up the pieces, and finds himself with a new manager, on a new record label. Musically, he hits the cruise control button, which annoys critics but results in a catalog of consistently brilliant music.&lt;p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Songs covered today include;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;I’m In the Mood for Love&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Got a Bran’ New Suit&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Old Man Mose&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Thanks a Million&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Shoe Shine Boy&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Solitude&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;I’m Putting All My Eggs in One Basket&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Lyin’ To Myself&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;9)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Ev’ntide&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;10)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;Swing That Music&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-8046332425449649594?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/8046332425449649594/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=8046332425449649594&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/8046332425449649594'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/8046332425449649594'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2010/01/how-music-changed-part-13-11-legacy-of.html' title='HOW MUSIC CHANGED, PART 13-11 – THE LEGACY OF LOUIS ARMSTRONG'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-3458227904742054479</id><published>2010-01-20T16:04:00.000-08:00</published><updated>2010-01-20T16:08:24.391-08:00</updated><title type='text'>A Few Selections from 2009, Part 3</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal"&gt;&lt;!--StartFragment--&gt;  &lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:11.0pt;font-family:LucidaGrande"&gt;&lt;a href="http://www.shaddupandlisten.com/music/100120.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;It’s not often that we get to cover contemporary music – and even still, the word ‘contemporary’ is relative, as we are talking about music from 2009 when it’s already 2010 – this is SO last year already! For us, it hardly matters. Since we spend most of our effort looking back 20, 30, 40 or even 50 years, looking at last year is positively new for us! So, here is one last look- our 3&lt;sup&gt;rd&lt;/sup&gt; in this series, at a few releases from 2009.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Here’s a list of stuff we cover today;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Catch and Release- Silversun Pickups (Swoon)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Lisztomania – Phoenix (Wolfgang Amadeus Phoenix)&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3) Walkabout - Atlas Sound )Logos)&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4) Up a Tree (Went This Heart IHave) - Cotton Jones&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5) Weary Mind - Frankel (Anonymity Is the New Fame)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;My Timing Is Off – The Eels (Hombre Loco)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;The Ego Delusion – Soundtrack of Our Lives (Communion)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8) Unthought Known – Pearl Jam (Backspacer)&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-3458227904742054479?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/3458227904742054479/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=3458227904742054479&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/3458227904742054479'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/3458227904742054479'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2010/01/few-selections-from-2009-part-3.html' title='A Few Selections from 2009, Part 3'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-7945085143802905293</id><published>2010-01-15T15:45:00.000-08:00</published><updated>2010-01-15T15:56:41.309-08:00</updated><title type='text'>HOW MUSIC CHANGED, PART 13-10 – THE LEGACY OF LOUIS ARMSTRONG</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-family:LucidaGrande;font-size:11.0pt;"&gt;&lt;a href="http://www.shaddupandlisten.com/music/100115.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;span class="Apple-style-span"  style="font-size:15px;"&gt; &lt;!--StartFragment--&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Part 10 in our series covering the music and life of Louis Armstrong covers a period of transition in Louis’ life. Any musician’s life can be hard, especially if you divide most of your time between touring, performing and recording. As an American Black man touring the country in the pre-civil rights era, the difficulties were nearly insurmountable. Add in crooked managers, various mob interests who would just as soon you dead than alive, and the worst economic depression in recent history, and you quickly realize that we can’t really begin to imagine Armstrong’s state of mind during this period. &lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;If you were to judge the times solely by his recorded output, Louis seems eternally happy, self-satisfied and generally pleased with the state of the world. He single-handedly took it upon himself to make others feel good, at a time when feeling good was not an easy thing to accomplish.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Here are song selections featured in today’s program;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;I’ve Got the World on a String&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;I Gotta Right to Sing the Blues&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Medley of Armstrong Hits (Part 1)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;High Society&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Honey, Do!&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Hustlin’ and Bustlin’ For Baby&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Laughin’ Louie&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Song of the Vipers&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;9)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Sweet Sue, Just You&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-7945085143802905293?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/7945085143802905293/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=7945085143802905293&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/7945085143802905293'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/7945085143802905293'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2010/01/play-show-part-10-in-our-series.html' title='HOW MUSIC CHANGED, PART 13-10 – THE LEGACY OF LOUIS ARMSTRONG'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-8095057030232817442</id><published>2010-01-13T20:05:00.000-08:00</published><updated>2010-01-13T20:28:47.769-08:00</updated><title type='text'>A Few Selections from 2009, Part 2</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;p class="MsoNormal" style="text-indent:.5in"&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:11.0pt;font-family:LucidaGrande"&gt;&lt;a href="http://www.shaddupandlisten.com/music/100113.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;p&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-indent: 0px;"&gt;For our second show dedicated to music released in the past year, we were pleasantly surprised to be joined by Chad DePasquale. Chad hosts Ultrasound Lounge on WHPC-FM, and it is quickly becoming one of my favorite radio programs, featuring an eclectic mix of just about anything, with a bent toward intelligent alternative contemporary music. Chad is the perfect foil for a show dedicated to new music, and both Heidy and I had a real good time sharing the hour with him. Here’s a list of songs that we manage to cover, between our conversations;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Dearest Forsaken – Iron and Wine&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Cello Song – The Books featuring Jose Gonzalez&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Knotty Pine – The Dirty Projectors w/ David Byrne&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Stillness Is the Move – The Dirty Projectors&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Diamond Dave – The Bird and the Bee&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Two Weeks – Grizzly Bear&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;span class="Apple-style-span"  style=" ;font-size:15px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-8095057030232817442?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/8095057030232817442/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=8095057030232817442&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/8095057030232817442'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/8095057030232817442'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2010/01/few-selections-from-2009-part-2.html' title='A Few Selections from 2009, Part 2'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-4527894549575127137</id><published>2010-01-08T15:48:00.000-08:00</published><updated>2010-01-08T15:50:29.999-08:00</updated><title type='text'>HoW MUSIC CHANGED, PART 13-9 – THE LEGACY OF LOUIS ARMSTRONG</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:11.0pt;font-family:LucidaGrande"&gt;&lt;a href="http://www.shaddupandlisten.com/music/100108.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;p class="MsoNormal" align="center" style="text-align: left;"&gt; &lt;/p&gt;&lt;p class="MsoNormal" align="center" style="text-align: left;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Our 9&lt;sup&gt;th&lt;/sup&gt; episode covers an era that could be referred to as Louis’ ‘Classic’ Era, as it covers the time period when Louis rises to become (arguably) the single most famous musician in American history. All this takes place in the midst of rampant racism, prohibition laws (especially the gangsters that they inspired), and the worst economic depression that the country had ever witnessed. Louis could have seen his career derailed in any one of a hundred different ways, yet due to his talent and his indomitable goodwill, he managed to thrive. His musical innovations were now commonplace among musicians – if you couldn’t play like Louis, then you weren’t hip and you couldn’t swing. As a result, Louis settled into simply being himself. The music may have been only slightly less innovative, but virtually everything he touched still turned into musical gold.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Here are song selections from today’s program;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Blue Again&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;You Rascal You&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Lazy River&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Stardust&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Chinatown, My Chinatown&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;The Lonesome Road&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Between the Devil and the Deep Blue Sea&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;All of Me&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;9)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;That’s My Home&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;10)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;Hobo, You Can’t Ride This Train&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-4527894549575127137?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/4527894549575127137/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=4527894549575127137&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/4527894549575127137'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/4527894549575127137'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2010/01/how-music-changed-part-13-9-legacy-of.html' title='HoW MUSIC CHANGED, PART 13-9 – THE LEGACY OF LOUIS ARMSTRONG'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-5690427650630308626</id><published>2010-01-07T14:39:00.000-08:00</published><updated>2010-01-07T14:42:12.591-08:00</updated><title type='text'>A Few Selections from 2009</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:11.0pt;font-family:LucidaGrande"&gt;&lt;a href="http://www.shaddupandlisten.com/music/100106.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span" style="font-family: LucidaGrande, serif; font-size: large; "&gt;Before we get back into the swing of things, we figured it might be fun to look back at a few selections that were released during 2009. For a number of reasons, this is NOT a ‘Best Of’ show, as I feel thoroughly unqualified to compile a list of my own, and most lists prove be painfully wrong with what is (or is not) included. Since I spend so much time analyzing music from the past, I don’t get enough of a chance to listen to new stuff, so a lot of these songs sound virtually brand new to me. The point is to listen and have some fun. How simple!&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Here are selections that we’ve chosen for today’s show – more will follow next week.&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Summertime Clothes – Animal Collective (Merriweather Post Pavilion)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;It’s All Good – Bob Dylan (Together Through Life)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Wilco (the Song) – Wilco (Wilco (the Album))&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;This Tornado Loves You – Neko Case (Middle Cyclone)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Oh No – Andrew Bird (Noble Beast)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;The Rake’s Song/Abduction of Margaret – The Decemberists (The Hazards of Love)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Baby Boomer – Monsters of Folk (Monsters of Folk)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Stars of Leo – M. Ward&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-5690427650630308626?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/5690427650630308626/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=5690427650630308626&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/5690427650630308626'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/5690427650630308626'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2010/01/few-selections-from-2009.html' title='A Few Selections from 2009'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-7202294720532042018</id><published>2009-12-18T15:59:00.000-08:00</published><updated>2009-12-18T16:14:10.604-08:00</updated><title type='text'>HOW MUSIC CHANGED, PART 13-8 – THE LEGACY OF LOUIS ARMSTRONG</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-family:LucidaGrande;font-size:11.0pt;"&gt;&lt;a href="http://www.shaddupandlisten.com/music/091218.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;span class="Apple-style-span"  style="font-size:15px;"&gt; &lt;!--StartFragment--&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;p class="MsoNormal" align="center" style="text-align:center"&gt;&lt;br /&gt;&lt;/p&gt;  &lt;p class="MsoNormal" align="center" style="text-align:center"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Today’s show features Louis at the peak of his fame, when he was a national celebrity with his name (and nicknames) quickly becoming a ‘household word’. That didn’t necessarily mean that life was easy, though, as the details of his life from this era convey. It was a good time to let the music do the talking, so we do our best to abide by that rule ourselves.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Songs featured include;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;          &lt;/span&gt;1) Black and Blue&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.5in"&gt;2) Dinah&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l1 level1 lfo2;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Tiger Rag&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.5in"&gt;4) Standing on the Corner – Jimmie Rodgers&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;I’m a Ding Dong Daddy&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;If I Could Be With You One Hour Tonight&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Body and Soul&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Sweethearts on Parade&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;9)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Just a Gigolo&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;10)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;Shine&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;11)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;When It’s Sleepy Time Down South&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-7202294720532042018?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/7202294720532042018/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=7202294720532042018&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/7202294720532042018'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/7202294720532042018'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2009/12/play-show-how-music-changed-part-13-8.html' title='HOW MUSIC CHANGED, PART 13-8 – THE LEGACY OF LOUIS ARMSTRONG'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-7346170928789896661</id><published>2009-12-11T15:47:00.000-08:00</published><updated>2009-12-12T08:01:26.968-08:00</updated><title type='text'>How Music Changed, Part 13-7 – Louis Armstrong</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-family:LucidaGrande;font-size:11.0pt;"&gt;&lt;a href="http://www.shaddupandlisten.com/music/091211.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;p class="MsoNormal"&gt;Today’s show covers a time span from December 1928 thru December 1929 – one short year in contemporary history, but a year fraught with social change brought on by the collapse of the stock market, and significant stylistic change for Louis Armstrong. As 1928 faded away, Louis was drifting away from the New Orleans playing style that had defined his sound, and toward a more sleek, streamlined and ‘citified’ sound. It was also the time period when Louis decided to leave Chicago once again and return to New York City in his quest for fame and fortune. It was a move that was essential if Louis was to survive the shifting tastes of popular culture, and this show captures that transition as it happened.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Songs include;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Save It, Pretty Mama&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Weather Bird&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Muggles&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Tight Like This&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Knockin’ a Jug&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;I Can’t Give You Anything But Love&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;S’posin (edited) – Seger Ellis&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;How Do You Do It That Way (edited) – Victoria Spivey&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;9)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Ain’t Misbehavin’&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;10)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;Ain’t Misbehavin’ (edited) – Seger Ellis&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;11)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;Dallas Blues&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;12)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;St. Louis Blues&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;13)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;Rockin’ Chair&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-7346170928789896661?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/7346170928789896661/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=7346170928789896661&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/7346170928789896661'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/7346170928789896661'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2009/12/how-music-changed-part-13-7-louis.html' title='How Music Changed, Part 13-7 – Louis Armstrong'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-4417479928001960136</id><published>2009-12-09T16:01:00.000-08:00</published><updated>2009-12-09T16:02:42.704-08:00</updated><title type='text'>DECEMBER 1969</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:11.0pt;font-family:LucidaGrande"&gt;&lt;a href="http://www.shaddupandlisten.com/music/091209.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt; &lt;!--StartFragment--&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Today’s show features music from forty years ago, December 1969. The music speaks for itself, hopefully, so does the show.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Songs include:&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;I Want You Back – The Jackson Five&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Whole Lotta Love- Led Zeppelin&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;It Came Out of the Sky – CCR&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Street Fighting Man – Rod Stewart&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Compared to What – Les McCann &amp;amp; Eddie Harris&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Gimme Shelter – The Rolling Stones&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Let It Bleed – “&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;You Can’t Always Get What You Want – “&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-4417479928001960136?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/4417479928001960136/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=4417479928001960136&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/4417479928001960136'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/4417479928001960136'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2009/12/december-1969.html' title='DECEMBER 1969'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-8837329797470508334</id><published>2009-12-04T15:56:00.000-08:00</published><updated>2009-12-11T15:56:31.506-08:00</updated><title type='text'>How Music Changed, Part 13-6 – Louis Armstrong</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-family:LucidaGrande;font-size:11.0pt;"&gt;&lt;a href="http://www.shaddupandlisten.com/music/091204.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;span class="Apple-style-span"  style="font-size:15px;"&gt; &lt;!--StartFragment--&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Our 6&lt;sup&gt;th&lt;/sup&gt; episode featuring the music of Louis Armstrong captures the artist at the absolute peak of his powers. Not yet 30 years old, Louis had the energy of a young man and a talent that was incomparable to anyone. This period in his career dating from 1927 to 1928 captures Armstrong at the top of his game. He would continue to cause critics and audiences to marvel at his abilities for his entire life, but he would never be quite as dazzling as he is on these recordings – and neither would anyone else. These are, quite simply, some of the most monumental performances in the history of recorded music.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Featured titles include;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Melancholy&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;S.O.L. Blues (edited)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Gully Low Blues&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;That’s When I’ll Come Back to You&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Struttin’ with Some Barbecue&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Hotter Than That&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Skip the Gutter&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;A Monday Date&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;9)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;West End Blues&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;10)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;Two Deuces (edited)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;11)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;Symphonic Raps&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;12)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;Basin Street Blues&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-8837329797470508334?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/8837329797470508334/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=8837329797470508334&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/8837329797470508334'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/8837329797470508334'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2009/12/how-music-changed-part-13-6-louis.html' title='How Music Changed, Part 13-6 – Louis Armstrong'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-7086248129865566417</id><published>2009-12-02T16:19:00.000-08:00</published><updated>2009-12-02T17:22:27.071-08:00</updated><title type='text'>A Premature Autopsy...</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span"  style="font-family:LucidaGrande, serif;"&gt;&lt;span class="Apple-style-span" style="font-size: -webkit-xxx-large;"&gt; &lt;!--StartFragment--&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"  style="font-family:LucidaGrande, serif;"&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:11.0pt;font-family:LucidaGrande"&gt;&lt;a href="http://www.shaddupandlisten.com/music/091202.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span" style="font-family: LucidaGrande, serif; font-size: large; "&gt;The following was taken from the Idaho Evening Statesman, dated 50 years ago (December 5, 1959);&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;One of the most significant results of the continuing disc jockey scandals is the demise of rock and roll. Although the entire credit cannot be given to revelations of payoffs to sponsors of junk which had no chance otherwise, public disgust at the methods of promoting primitive noises on records has hastened the decline of this fad.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Surveys of record companies, movie makers and distributors and promoters of both mediums taken after the payola investigations began have been unanimous in their conclusions that gyrating dancers and shimmying guitar players are on the decline. It is a decline which began early in the year, as evidenced by scanning lists of the top 10 tunes at various periods in the year...Rock and roll is but another experience, fading into the oblivion from whence it came.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;There are few mourners. Many, like the &lt;i&gt;musician &lt;/i&gt;&lt;span style="font-style:normal"&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;(my emphasis – ed.) who is head of Columbia Records popular recording department, Mitch Miller, are openly rejoicing. Long an opponent of the style, Miller’s comment on its decline was, “I refused to make that trash.”&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;To the cynical mind, accustomed to one musical fad giving way to another more extreme, it is soothing to note the replacement for rock and roll has been the ballad…Looking back on it now, it is easy to see why the bubble burst. But there was a time when music lovers didn’t think they would survive the noise. Peace and quiet – it’s wonderful.&lt;/p&gt;  &lt;p class="MsoNormal"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;At the time, the article was less humorous than you may think, as evidenced by the top 40 charts. Today’s show features songs that appeared on the pop charts during the week this article went to publication, including;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;My Favorite Things – Mary Martin (The Sound of Music)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;I’m Movin’ On – Ray Charles&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Tear Drop – Santo and Johnny&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Unforgettable – Dinah Washington&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Reveille Rock – Johnny &amp;amp; the Hurricanes&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Dance With Me – The Drifters&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Way Down Yonder in New Orleans – Freddie Cannon&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Be My Guest – Fats Domino&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;9)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;El Paso – Marty Robbins&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;10)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;The Big Hurt – Toni Fisher&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;11)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;So Many Ways – Brook Benton&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;12)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;We Got Love – Bobby Rydell&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;13)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;Why – Frankie Avalon&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;14)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;In the Mood – Ernie Fields&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;15)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;Heartaches by the Number.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-7086248129865566417?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/7086248129865566417/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=7086248129865566417&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/7086248129865566417'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/7086248129865566417'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2009/12/premature-autopsy.html' title='A Premature Autopsy...'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-5675098204707381303</id><published>2009-11-27T10:37:00.000-08:00</published><updated>2009-11-27T15:42:52.153-08:00</updated><title type='text'>How Music Changed, Part 13-5 – Louis Armstrong</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-family:LucidaGrande;font-size:11.0pt;"&gt;&lt;a href="http://www.shaddupandlisten.com/music/091127.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;span class="Apple-style-span"  style="font-size:15px;"&gt; &lt;!--StartFragment--&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Our fifth episode of ‘How Music Changed’ dedicated to the music of Louis Armstrong covers a very important era in his musical development. Louis’ experience had already brought him far and wide, from New Orleans and the Mississippi River excursions, to Chicago, New York City, and back to Chicago. Besides hearing all sorts of sophisticated (or ‘sweet’) band music, he couldn’t help but notice how the ‘hot’ bands were attracting most of the attention. &lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;By 1926, the wheels were turning in a way that would allow Louis to inextricably combine the two strains, demanding sophistication from the ‘hot’ players, while making it virtually essential for all musicians to ad lib around the central theme. Within these recordings lies the birth of the “Swing’ era, and the key to virtually all contemporary music.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Titles covered include;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Don’t Forget to Mess Around&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;King of the Zulus&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Skid-Dat-De-Dat&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Big Butter and Egg Man&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Irish Black Bottom&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;I’m Goin’ Huntin’ – Jimmy Bertrand’s Washboard Wizards&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Wild Man Blues – Johnny Dodds’ Black Bottom Stompers&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Wild Man Blues – Louis Armstrong’s Hot Seven&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;9)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Chicago Breakdown – Louis Armstrong and his Stompers&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;10)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;Potato Head Blues&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-5675098204707381303?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/5675098204707381303/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=5675098204707381303&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/5675098204707381303'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/5675098204707381303'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2009/11/how-music-changed-part-13-5-louis.html' title='How Music Changed, Part 13-5 – Louis Armstrong'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-4631710765332163694</id><published>2009-11-25T15:47:00.000-08:00</published><updated>2009-11-25T15:50:57.108-08:00</updated><title type='text'>THANKSGIVING</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-family:LucidaGrande;font-size:11.0pt;"&gt;&lt;a href="http://www.shaddupandlisten.com/music/091125.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;span class="Apple-style-span"  style="font-size:15px;"&gt; &lt;!--StartFragment--&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;p class="MsoNormal"&gt;Maybe it’s the difficult years when we have the best chance to reflect on all of the things that we really have to be thankful for. 2009 was not an easy year for an awful lot of people, but when I reflect on my family, my friends, my band, and even this radio show, I recognize that I’m a pretty lucky guy, so why do I spend so much of my energy worrying about everything? This Thanksgiving, I want to make a serious effort to relax my mind, and give thanks to all of the people who make my life easier and distract me from my own negativity. I’m truly grateful for my friends and my family, and that applies to the personnel here at WHPC, and it especially applies to the listeners who give me a reason to be here at all.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;So, in all sincerity, thank you very much for spending some time with Heidy and me, and I hope that in some&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;small way, we manage to return the favor. These songs are for you.&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Be Thankful for What You Got – William DeVaughn&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Now Be Thankful – Fairport Convention&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Thanks a Million – Louis Armstrong&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Thank You – Led Zeppelin&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Thanks to You – Emmylou Harris&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Thank You- Dido&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;I Wanna Thank You Baby – Delbert McClinton&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;9)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Thank You, Girl - The Beatles&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;10) Thank You - Solomon Burke&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;11)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;Thank You and Goodnight – The Angels&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;12)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;Thanksgiving Day – Ray Davies&lt;/p&gt;&lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;13) Thank You - Charlatans UK&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-4631710765332163694?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/4631710765332163694/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=4631710765332163694&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/4631710765332163694'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/4631710765332163694'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2009/11/thanksgivingtt.html' title='THANKSGIVING'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-8810920669677834311</id><published>2009-11-20T15:51:00.000-08:00</published><updated>2009-11-20T15:53:06.271-08:00</updated><title type='text'>How Music Changed, Part 13-4 – Louis Armstrong</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:11.0pt;font-family:LucidaGrande"&gt;&lt;a href="http://www.shaddupandlisten.com/music/091120.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt; &lt;!--StartFragment--&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;p class="MsoNormal"&gt;Here we are, already three episodes into our coverage of Louis Armstrong, and so far, we’ve only covered the portion of Louis’ career when he worked as a sideman for others. If the point of this series is to discuss how the genius of Louis Armstrong was disseminated throughout the world, then today’s show, episode four, is where our story truly begins. From this point forward, Louis is his own man, fronting his own band, and changing the face of Jazz and the direction of popular music in general, with each released recording. In short, the music featured in today’s program represents the Rosetta Stone of jazz music.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;All tracks are credited to Louis Armstrong and his Hot Five, except as noted. Songs covered include;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;My Heart &lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Yes! I’m in the Barrel&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Gut Bucket Blues&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Georgia Grind&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Muskrat Ramble&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Heebie Jeebies&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Cornet Chop Suey&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Oriental Strut&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;9)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Stomp Off, Let’s Go – Erskine Tate’s Vendome Orchestra&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;10)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;Georgia Bo-Bo – Lil’s Hot Shots&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;11)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt; &lt;/span&gt;&lt;span style="mso-spacerun: yes"&gt; &lt;/span&gt;He Likes It Slow – Butterbeans and Susie&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-8810920669677834311?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/8810920669677834311/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=8810920669677834311&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/8810920669677834311'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/8810920669677834311'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2009/11/how-music-changed-part-13-4-louis.html' title='How Music Changed, Part 13-4 – Louis Armstrong'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-13550639.post-3332915605080083258</id><published>2009-11-18T15:44:00.000-08:00</published><updated>2009-11-18T15:46:39.673-08:00</updated><title type='text'>A FEW SELECTIONS FROM NOVEMBER 1979</title><content type='html'>&lt;!--StartFragment--&gt;  &lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span style="font-size:11.0pt;font-family:LucidaGrande"&gt;&lt;a href="http://www.shaddupandlisten.com/music/091118.mp3" target="”_blank”"&gt;PLAY THE SHOW&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;span class="Apple-style-span" style="font-size: 15px;"&gt; &lt;!--StartFragment--&gt;  &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span class="Apple-style-span"   style="font-family:LucidaGrande, serif;font-size:130%;"&gt;&lt;p class="MsoNormal" align="center" style="text-align:center"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;If it’s Wednesday, then it must be 1959, or 1969…or as is the case today, 1979. 1979 was not one of my favorite years for popular music, and unfortunately, today’s show dwells a bit on some of the most rancid hits to ever reach the top 40. Luckily, we absolve ourselves by playing a few select album tracks as well. We hope you enjoy the show, but to avoid embarrassment, you might want to make sure that your windows are closed while listening (one caller actually told us that he had to crank up is car window so people wouldn’t think he actually &lt;i&gt;liked&lt;/i&gt;&lt;span style="font-style:normal"&gt; the stuff we were playing. I thought that was hysterically funny, so I’m compelled to do it again!).&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;Here’s what we play today;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;1)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Crusin’ – Smokey Robinson&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;2)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Chiquitita – Abba&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;3)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Escape (The Pina Colada Song) – Rupert Holmes (as a ‘Bad Hit’)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;4)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Jane – Jefferson Starship (another ‘Bad Hit’)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;5)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Coward of the County – Kenny Rogers (yet another ‘Bad Hit’)&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;6)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Tusk – Fleetwood Mac&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;7)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;Broken English – Marianne Faithful&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-left:.75in;text-indent:-.25in;mso-list:l0 level1 lfo1;tab-stops:list .75in"&gt;8)&lt;span style="font:7.0pt &amp;quot;Times New Roman&amp;quot;"&gt;    &lt;/span&gt;I’m Bad, I’m Nationwide – ZZ Top&lt;/p&gt;  &lt;p class="MsoNormal"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/13550639-3332915605080083258?l=shaddupandlisten.com%2Findex.html' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/3332915605080083258/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=13550639&amp;postID=3332915605080083258&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/3332915605080083258'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/13550639/posts/default/3332915605080083258'/><link rel='alternate' type='text/html' href='http://shaddupandlisten.com/2009/11/few-selections-from-november-1979.html' title='A FEW SELECTIONS FROM NOVEMBER 1979'/><author><name>tom ryan</name><uri>http://www.blogger.com/profile/09352750584439548101</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='16122918909716337610'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry></feed>